Babu: Bill Russell was inspiration for Pan African Film Festival

Share on facebook
Share on twitter
Share on linkedin
Share on email
President Barack Obama and First Lady Michelle Obama wait in the Green Room of the White House with Sylvia Mendez and Bill Russell as recipients of the 2010 Presidential Medal of Freedom are introduced in the East Room, Feb. 15, 2011. (Official White House Photo by Pete Souza) This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House. 

By Ayuko Babu

Executive Director of PAFF

(Editor’s Note: Pan African Film Festival co-founder and executive director Ayuko Babu tells how the remarkably outspoken sports legend Bill Russell was a major influence in the planning and development of the Pan African Film and Arts Festival that debuted in 1992 in Los Angeles. Russell passed on Monday, July 31 at age 88. )    

Brother Bill Russell had a profound impact on my life. When I played center on my high school team in Cheyenne, Wyoming, we won the Wyoming State Championship and I won a full scholarship to the University of Wyoming and Otero Junior College in La Junta, Colorado (where the new Lakers head coach Darvin Ham played before he moved on to Texas Tech and pro ball).

I moved on to play at LA City College and joined the Civil Rights/Black Power Movement. I had patterned my whole basketball game after Brother Bill, especially in defense. At that time, Cheyenne had no television station, so I religiously listened to the broadcasts of all Bill’s games when they aired on the radio in Cheyenne. When able, I watched Bill and the other bad brothers on the Boston Celtics on television by antenna from Denver, Colorado.  He had a major impact on me. The way he looked and carried himself was noble. With his goatee and mustache and his 6’10” muscular frame, he looked like an African chief.

When I came out to Los Angeles in July 1962, I went to see Bill and the Boston Celtics play the Lakers at the old Sports Arena, which was new at the time. A friend of mine, Gene Wiley, was playing center for the Lakers. Brother Gene was from Amarillo, Texas, where I was born and lived until my family moved to Cheyenne. Gene got me tickets to see that game. Needless to say, it was an incredible game. I learned many invaluable basketball lessons that night watching Bill and Gene battle.  

Even at that time, I knew Bill was very much into Pan Africanism, not only basketball. He had bought a rubber plantation in the Republic of Liberia (West Africa). After the game, I was hoping to talk to Bill for a few minutes. So, my brother, Jaheed, and I waited outside the locker room for him to come out. When he finally came through the door and into the hallway, I spoke to him and he smiled. I asked him about his rubber plantation in Liberia. He was happy to know that I knew about it. He stood there and talked to me and my brother for about an hour about the plantation and its operation. 

He proudly told us he had 200 workers and when he realized that his workers needed a school to increase their education and level of development, he built a school for them. It was my first experience speaking with someone who actually had a successful project and a program on the continent. I was spellbound. During our encounter, Bill never spoke about the game we had just seen or basketball in general. His entire enthusiastic conversation was about the plantation and the incredible possibilities that these kinds of projects could open up for Black folks. 

Needless to say, he fueled my determination and drive to be a part of the Pan African experience. He became the role model that led me to facilitate Brother Stevie Wonder’s first trip to Africa to perform at the 2nd World Black and African Festival of Arts and Culture in Lagos, Nigeria in 1977. The Grammy organization flew to Nigeria to broadcast Stevie’s performance and to present his Grammy award in Lagos. The performance, directed and produced by Stan Lathan, was broadcast to a worldwide TV audience of 90 million people. Stevie performed his famous song “Sir Duke” with his band and Duke Ellington’s band and the George Faison dancers. 

It was Bill’s influence and that early conversation after the Lakers/Celtics game that spurred me on to bring the world-famous dance company Les Ballets Africains from the Republic of Guinea to perform at the 1984 Olympics in Los Angeles. Bill’s impact was so inspirational to me that I, along with actress, singer and composer Ja’Net DuBois and actor Danny Glover, was able to create the Pan African Film Festival, which celebrates its 30th anniversary in 2022. This is the kind of impact that Pan Africanist Bill Russell had on my life and will continue to have on my life.

Republish This Story

Copy and Paste the below text.

Babu: Bill Russell was inspiration for Pan African Film Festival

By Jackson Advocate News Service
August 14, 2022